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10 Most Emotional Movies of All Time
AI सारांश
This video explores the profound emotional impact of cinema, categorizing key movie moments into distinct feelings: grief, joy, longing, glee, and victory. For language learners, this analysis is a valuable tool for expanding your **emotional vocabulary** and understanding how storytelling conveys complex human experiences. By examining classic scenes—from the heartbreak of *Fruitvale Station* to the infectious glee of Charlie Chaplin—you will learn to identify and articulate subtle shades of emotion. Watching these clips provides a rich context for practicing how to describe character motivations, narrative arcs, and the personal connections we form with film protagonists.
सीखने के आँकड़े
CEFR लेवल
कुल शब्द
अद्वितीय शब्द
कठिनाई
सबटाइटल्स (420 खंड)
Movies are all about emotions and not just the one's we see on screen.
This week we wanna focus on the one's we feel as an audience.
This are the top ten most emotional moments in movies of all time.
[MUSIC]
Kicking us off at number ten, when we think about getting emotional in a movie,
the first thing that comes to mind is the tearjerker.
And we'll admit it, we've been known to tear up once or maybe twice, definitely no
more than three times, in scenes like Brooks's departure in Shawshank.
The opening montage in UP, that one scene from I Am Legend, or Iron Giant or
Pay it forward, or The NeverEnding Story, you know the ones we're talking about.
The ending of a Dancer in the Dark and Big Fish and
pretty much the entirety of Grave of the Fireflies.
However, we're not gonna even try to deny that we were blubbering in goddamn
hysterics by the end of Fruitvale Station for our first pick.
>> Hey, man, what the fuck is this?
What the fuck?
I didn't do shit.
Get off me, man.
>> [INAUDIBLE] >> Roll over.
>> No way, man.
>> [INAUDIBLE] >> Shit.
>> [INAUDIBLE] [SOUND]
Of course,
we're not too proud to admit we cry in movies.
It's actually, an incredibly cathartic experience and it's pretty to see that
looking at Fruitvale in all of our honorable mentions together.
That these out pourings of grief are coupled with loss but
loss over character we've truly come to love and feel for.
And that's where Fruitvale uniquely succeeds,
it just has us hang out with Oscar Grant for a day.
We get to see his victories, his flaws, his most intimate human moments.
And Michael B Jordan so brilliantly, unselfconsciously,
humbly portrays him that we just love him like a family member by the end.
And then it is taken away for no reason at all.
And of course, it's all the more heart-breaking because it's true.
It really happened.
And we don't wanna preach, but
we think if everyone in America sat down and watched Fruitvale Station.
We might all be able to approach the current political discourse about race and
police with a little more kindness and empathy.
Of course loss isn't the only reason we cry in theaters.
Happy tears are a thing too.
They come from moments of loving kindness between humans and
sometimes that warmth makes us cry.
But why?
Well, we feel so immensely happy because we have a biological
tendency to mirror the emotions we see.
And the more invested in the person we're mirroring the more we mirror it.
But the tears?
Well, they're sort of an emotional overload.
Our body gets so
incredibly overwhelmed by positive emotion chemicals that it can't function properly.
So, it turns the thermostat hard left and
dumps in some tear chemicals to balance us out.
For us this happens in scenes like Ego's childhood in Ratatouille.
The comforting in Cries and Whispers, the blind man's crossing in Amelie, and
the reunion in A Knight's Tale.
It's like the ending of Fargo and Million Dollar Baby and Princess Bride, of
Shawshank and Cinema Paradiso and Return of the King and Pursuit of Happiness.
However, if there's one scene that takes the cake, it's gotta be the full strength
warmth extract that is the ending of It's a Wonderful Life.
>> A toast.
>> [LAUGH] >> To my big brother, George.
The richest man in town.
>> [APPLAUSE] >> According to file of Alexandria,
the stoic is to practice negative visualization to premeditate on
evils on the worst possible things that can happen in life.
And as a result,
they will find that in reality of their life is cast into wonderful relief.
Filling them with happiness in warmth and
gratitude where previously there was greed and envy and dissatisfaction.
And it's a wonderful life is in essence the cinematic
embodiment of this stoic principle.
George Bailey is taken through a world in which he is a non-being.
And not only does he learn how important he is to his world but
how important his world is to him.
And he's forced to visualize his own personal worst-case evils along the way.
So, when we get to this scene here, bounding through the door,
excitedly surrendering himself with a zeal for life.
We can't help but to match his excitement.
He is grateful at those things which irritated him,
he is overflowing with love for his children and wife.
And then, as if that weren't nearly enough,
his entire community comes to embrace him.
पूर्ण उपशीर्षक वीडियो प्लेयर में उपलब्ध
मुख्य शब्दावली (50)
Used to refer to the person or people that the speaker is addressing. It is the second-person pronoun used for both singular and plural subjects and objects.
To cease an activity, movement, or process. It is used when someone or something is no longer doing what they were doing or moving from one place to another.
किसी के प्रति गहरा लगाव महसूस करना, जैसे परिवार या साथी के लिए। इसका उपयोग किसी चीज़ को बहुत पसंद करने के लिए भी किया जाता है।
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