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Englisch 22:42 Movies & Film

'THE BRIDE!' Cast on Bringing Their "Monsters" to Life

Warner Bros. Pictures · 23,846 Aufrufe · Hinzugefügt vor 4 Tagen

Untertitel (598 Segmente)

00:00

The dead have got something to say.

00:03

And I'm saying it.

00:10

>> The bride

00:12

of Frankenstein.

00:14

>> No, just the bride.

00:18

>> I actually wanted to start with the

00:19

smudge because what does that do for you

00:22

as an actress? That was such a choice

00:23

and it's such a like it's it's instance

00:26

behind you. It's instantly iconic. It's

00:28

something we've never really seen before

00:30

done in that way. So when you looked in

00:31

the mirror, how did that inform your

00:33

character?

00:34

>> Um, I think it gave me a certain kind of

00:37

disobedience and mischief and also the

00:40

very nature of like the expression of

00:44

this woman, the expression of Mary

00:46

Shelly can't help but come out and make

00:49

its mark on the world.

00:51

>> Um, that it's overflowing. There's so

00:53

much that this woman needs to say and

00:56

needs to express that it's like pouring

00:58

out of her and it looks and it's

01:00

beautiful, you know, it's something that

01:03

is like

01:04

>> you can't help but look at and feel like

01:06

what is that, you know, what is this

01:08

woman? And so, um, I had a lot of fun

01:11

getting ready in the morning.

01:13

>> I think it's going to become a thing too

01:14

where it's girls and women are going to

01:17

start that's going to be like the mark

01:19

for you. And at the beginning of the

01:21

film, I love that it opens saying, "Mary

01:22

Shelley wrote Frankenstein on a dare."

01:25

>> So, what did you dare to do as a

01:27

director with this film? What is

01:30

something that you did that you felt was

01:31

particularly daring for yourself and

01:34

challenging yourself?

01:35

>> I mean, to be honest with you, just

01:38

making it was kind of a dare to myself.

01:41

You know, I was terrified every day. I

01:44

think because I was walking in new

01:47

territory.

01:49

Um,

01:50

I was really risking saying something

01:54

new and saying it in a way I think that

01:58

hadn't been said before that I and and

02:00

making my way as I went kind of hacking

02:02

through a through a like a rainforest. I

02:07

we had the script which was I think a a

02:10

major map but actually even even the

02:13

script was terrifying although less so.

02:15

production I feel like was a kind of

02:20

dare to myself. Yeah, I do.

02:22

>> It It feels like feels like a dare

02:24

watching it in a sense because it is so

02:26

incredibly original. I think that's what

02:28

makes it so captivating. Um I read

02:31

something that you said about you and

02:32

Christian were like greyhounds being led

02:35

out of a cage, which I absolutely love

02:38

this quote. So I mean one of the words

02:41

that comes up for me with this film is

02:42

inhibition. And so can you sort of

02:45

describe that feeling first of all

02:46

having a partner like Christian but that

02:49

feeling of being totally like unleashing

02:53

yourself and what that does for you as a

02:56

performer and and what does that mean to

02:58

you that word greyhound and

03:00

>> well I think that was part of the like

03:03

for me anyway the job description is

03:05

like how much of yourself can you really

03:07

show and how much of it can it can it be

03:10

metabolized and palatable and who's

03:12

going to love all of me

03:15

>> and how much can I really be brave to

03:19

let that be seen?

03:20

>> That was the job description.

03:21

>> Yeah,

03:22

>> that's true.

03:23

>> Like how much of yourself can you bring?

03:25

>> Yeah.

03:26

>> But with the protection of this

03:28

character is very very different than

03:30

you.

03:31

>> Yeah. And it wasn't like you know a

03:33

greyhound when it comes out of the

03:36

cage has a destination it's trying to

03:39

get to. You know, it's it's it's

03:42

a kind of primal energy that it's coming

03:46

out in. It doesn't know it's racing

03:47

against another dog. It's just like

03:49

running, isn't it? And it's like it just

03:51

feels like it's like a laser beam, those

03:53

greyhounds. And but what was so

03:55

interesting about this is these are two

03:57

greyhounds that actually were being

03:59

given were given the opportunity to

04:02

release their primal

04:04

passion, their primal mind, their primal

04:07

body and commune together in a way and

04:10

find each other in that primal force and

04:13

not to kind of clip anything around

04:16

that. And when you stand opposite

04:18

Christian Bill and he's also like moving

04:21

in the same stratosphere. I mean, I

04:23

remember our first ever day shooting. We

04:25

did a a dance sequence. It was like a

04:27

pre-shoot.

04:29

It definitely We've been cooking this in

04:32

our minds and bodies, me anyway, for

04:34

nearly a year with you.

04:36

>> And that moment when you could release

04:38

that energy and also contain it with

04:41

each other was,

04:43

>> you know,

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