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INSIDE OUT Clips (2015) Disney Pixar
AI Summary
This video transcript from *Inside Out* provides an excellent resource for intermediate language learners to practice listening to **conversational American English**. By watching this clip, you will improve your ability to identify: * **Emotional Nuance:** The characters use varied tones to express complex feelings like stress, joy, and frustration. * **Idiomatic Expressions:** You’ll hear natural phrasing, such as "my nerves are shot" or "in for it," used in context. * **Vocabulary:** The dialogue covers a wide range of social and domestic topics, providing authentic examples of how native speakers navigate daily challenges, express personality, and describe abstract concepts like memory and imagination.
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Subtitles (271 segments)
And that was just the beginning.
Headquarters only got more crowded from
there.
[Music]
It's broccoli.
[Music]
Right. Here comes an airplane.
[Music]
Hey, would you look at that? Very nice.
And each core memory powers a different
aspect of Riley's personality.
Yep. Goofball is the best.
Look out for me.
[Music]
I'm talking about another perfect day.
Nice job, everybody. Let's get those
memories down along.
[Music]
We love our girl. Oh, she's got great
friends and a great house.
Okay. Not what I had in mind.
[Music]
I sure am glad you told me earthquakes
are a myth, Joy. Otherwise, I'd be
terrified right now.
Ooh, that looks safe.
Nice.
Oh, this will be great for Riley. Oh,
no, no, no, no. Here's our new house.
And
We're supposed to live here. We have
I'm telling you, it smells like
something. It's going to be great. Yes,
yes, yes, yes, yes. No, no, no, no.
I'm starting to envy the dead mouse.
Where did you read that?
It doesn't matter. I read it and it's
great. We'll put the bed there and the
desk over there.
Goodbye. Well, guess what? The moving
van won't be here until Thursday.
You're kidding.
Contract.
Anderson makes her move. She's closing
in.
Hey. Oh, no.
We're in for it.
Put the down.
It's okay. We get it.
You're the best. Thanks, hun. See you,
sweetie.
Riley hasn't had lunch. Remember?
And now you.
What kind of a pizza place only serves
one kind of
Full subtitles available in the video player
Key Vocabulary (50)
Used to refer to the person or people that the speaker is addressing. It is the second-person pronoun used for both singular and plural subjects and objects.
To move something into a particular place or position. It is a fundamental verb used to describe the act of placing an object or setting a situation in a specific location.
To continue to have or hold something in your possession or at your disposal. It also means to remain in a specific state, condition, or position without changing.
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