At the A1 level, you can think of 'सदमा लगना' (sadma lagna) as a very strong way to say 'to feel very, very sad and surprised.' In Hindi, when you feel something, you often use the word 'ko' with your name. For example, 'Mujhe' (to me) + 'sadma' (shock) + 'laga' (happened/attached). You use this when something bad happens unexpectedly, like losing a game or a pet. It is more than just 'sad' (dukh). It is a big surprise that makes you feel bad. Just remember the pattern: [Person] + ko + sadma + laga. Example: 'Rahul ko sadma laga.' (Rahul was shocked.) Don't use it for small things like losing a pen. Use it for big things that make you want to cry or stay quiet.
At the A2 level, you should understand that 'सदमा लगना' (sadma lagna) is a conjunct verb. 'Sadma' is a noun meaning 'shock,' and 'lagna' is the verb. This phrase is used for receiving bad news that is hard to believe. You will notice that in the past tense, we always use 'laga' because 'sadma' is a masculine word. Even if a girl says it, she says 'Mujhe sadma laga.' You can start using it to describe people's reactions in stories. For instance, if someone fails an important exam they worked hard for, you can say 'Use sadma laga.' It helps you express deeper emotions than just 'bura lagna' (feeling bad). Try to remember that it is usually for negative events.
As a B1 learner, you should recognize 'सदमा लगना' as the standard way to describe psychological shock or trauma. You should be comfortable using it in different tenses. For example, 'Use gehra sadma laga hai' (He has received a deep shock - Present Perfect). You also learn that it is an 'experiential' construction where the experiencer is in the dative case (marked by 'ko'). It is important to distinguish this from 'hairani hona' (to be surprised). 'Sadma' implies an emotional blow that might have lasting effects. You will encounter this word in news reports, films, and serious conversations. It is a key word for discussing life events like death, loss, or major betrayal.
At the B2 level, you should be able to use 'सदमा लगना' with various intensifiers and in complex sentence structures. You might say 'is baat ka sadma' (the shock of this matter) or 'itna bada sadma' (such a big shock). You should also understand its cultural weight; in India, using this word shows you recognize the gravity of a situation. You can use it in the passive or reported speech: 'Bataya ja raha hai ki unhe gehra sadma laga hai' (It is being said that he has received a deep shock). You should also be aware of related terms like 'sadme mein hona' (to be in a state of shock), which describes the ongoing condition rather than the moment of impact.
At the C1 level, you should appreciate the nuanced use of 'सदमा लगना' in literature and formal rhetoric. It can be used to describe national traumas or collective shocks. You should be able to discuss the psychological implications of 'sadma' in a sophisticated way. You might use it in conditional sentences: 'Yadi yeh sach hua, तो pure samaj ko sadma lagega' (If this is true, the whole society will be shocked). You should also be able to distinguish it from more obscure synonyms like 'vajrapat hona' (to be struck by lightning/a massive calamity). Your usage should reflect an understanding of the word's Arabic roots and its resonance in Urdu-inflected Hindi poetry.
At the C2 level, you have a masterly grasp of 'सदमा लगना,' using it with perfect grammatical precision and native-like timing. You understand its use as a metaphor in political and social critiques. You can analyze how 'sadma' functions in cinematic narratives or classic literature (like the works of Premchand or Manto). You are also aware of the medicalized usage of the term in psychology ('manovigyan') and can navigate conversations about trauma with sensitivity. You can use the word to describe existential shocks or profound shifts in worldview. Your ability to use this phrase appropriately in high-stakes emotional or formal contexts marks your advanced proficiency.

सदमा लगना in 30 Seconds

  • Used for deep emotional or psychological shock.
  • Grammatically requires the 'ko' postposition with the person.
  • Almost always refers to negative or tragic events.
  • Common in news, movies, and serious life discussions.

The Hindi verb phrase सदमा लगना (sadma lagna) is a profound expression used to describe the experience of receiving a severe emotional or psychological shock. While the English word 'shock' can sometimes be used lightly (e.g., 'I was shocked by the price'), sadma lagna carries a much heavier weight, often implying a trauma that is difficult to process or a life-altering realization. It originates from the Urdu/Arabic word 'sadma,' which literally refers to a blow or a collision, but in common parlance, it refers to the 'blow' dealt to one's heart or mind by tragic news or an unexpected disaster.

Literal Meaning
To be struck by a blow (emotional).
Common Usage
Used when discussing death, bankruptcy, betrayal, or sudden catastrophic events.

In a cultural context, this phrase is frequently heard in Hindi cinema and literature to depict characters who go into a state of catatonia or deep grief. It is not just about being 'surprised'; it is about being 'shattered.' When you say someone 'ko sadma laga,' you are suggesting that their mental equilibrium has been violently disrupted. This phrase is essential for B1 learners because it allows for the expression of complex human emotions beyond simple sadness or surprise.

उसकी अचानक मौत की खबर सुनकर पूरे परिवार को गहरा सदमा लगा। (Upon hearing the news of his sudden death, the entire family was deeply shocked.)

The verb 'lagna' here functions as an experiential verb. In Hindi grammar, certain emotions or physical sensations 'attach' themselves to a person. Therefore, the person experiencing the shock is marked with the dative postposition 'ko' (e.g., 'Mujhe sadma laga' - To me, shock attached). This is a crucial distinction from English where 'I' am the subject who 'is' shocked.

व्यापार में हुए बड़े नुकसान से उसे सदमा लगा है। (He has been shocked by the huge loss in business.)

Register
Formal to Semi-formal. It is used in news reporting and serious conversations.

Understanding the nuance of 'sadma' helps in distinguishing it from 'achambha' (surprise) or 'hairani' (wonder). While those are often neutral or positive, 'sadma' is almost exclusively negative. It implies a wound that might take time to heal. If a friend loses their job suddenly, you might say they are in 'sadma.' If they win the lottery, you would never use this word.

सच जानकर उसे इतना सदमा लगा कि वह कुछ बोल नहीं पाया। (He was so shocked to know the truth that he couldn't say anything.)

धोखा मिलने पर किसी को भी सदमा लग सकता है। (Anyone can be shocked upon being betrayed.)

क्या तुम्हें इस बात से सदमा लगा? (Were you shocked by this matter?)

Synonym Note
'Dhakka lagna' is a common alternative, but 'sadma' is more psychological/internal.

Using सदमा लगना (sadma lagna) correctly requires an understanding of the dative construction in Hindi. The person who feels the shock is not the subject in the way we think in English. Instead of 'I shocked,' we say 'To me, shock attached.' This is the 'Indirect Subject' construction, which is very common for feelings, illnesses, and sensations in Hindi.

Subject Structure
[Person] + को (ko) + सदमा (sadma) + लगना (lagna/laga/lagega).

Let's look at the tense variations. In the past tense, which is the most common for this phrase, 'lagna' becomes 'laga' (masculine singular) because it agrees with the noun 'sadma' (which is masculine). Even if a woman is experiencing the shock, we say 'Us-ko sadma laga,' not 'lagi.' This is a common point of confusion for learners. The agreement is with the object/noun 'sadma,' not the person.

सीता को अपनी सहेली की बीमारी के बारे में जानकर सदमा लगा। (Sita was shocked to learn about her friend's illness.)

In the present continuous tense, you might describe someone who is currently in a state of shock: 'Use sadma lag raha hai' (He is feeling shocked). However, 'sadma' usually describes the moment of impact. To describe the ongoing state, you might use 'vah sadme mein hai' (he is in shock). Using the verb 'lagna' specifically highlights the moment the news or event hit the person.

You can also use adverbs to qualify the shock. 'Gahra sadma' (deep shock), 'bada sadma' (big shock), or 'shakt sadma' (severe shock) are common collocations. These additions help convey the magnitude of the event. For example, 'Desh ko ek bada sadma laga' (The country suffered a big shock) might be used when a national leader passes away.

इतने बड़े धोखे से उसे गहरा सदमा लगा है। (He has received a deep shock from such a big betrayal.)

Negative Sentences
Negative: उसे सदमा नहीं लगा। (He was not shocked.)

Interrogative forms are also useful. 'Kya aapko sadma laga?' (Were you shocked?). This is often used rhetorically or in investigative contexts. In news reporting, you will often see the passive-like construction 'Unhone kaha ki unhe sadma laga' (They said they were shocked). This maintains a formal distance and reports the emotional state objectively.

क्या इस हार से टीम को सदमा लगा? (Was the team shocked by this defeat?)

रिजल्ट देखकर मुझे कोई सदमा नहीं लगा। (I wasn't shocked seeing the result.)

उसे अपनी नौकरी खोने का सदमा लगा। (He felt the shock of losing his job.)

Future Tense
अगर तुम उसे सच बताओगे, तो उसे सदमा लगेगा। (If you tell him the truth, he will be shocked.)

The phrase सदमा लगना (sadma lagna) is ubiquitous in Hindi-speaking environments, ranging from daily news broadcasts to high-stakes emotional dramas in Bollywood. If you turn on a Hindi news channel like Aaj Tak or NDTV India, you will frequently hear this phrase in the context of tragic events. For instance, when reporting on a major accident or the passing of a beloved public figure, the anchor might say, 'पूरे देश को सदमा लगा है' (The whole country is in shock).

Media & News
Reporting on tragedies, celebrity deaths, or political upheavals.

In the world of Bollywood, 'sadma lagna' is a classic plot device. It is often used to explain why a character has lost their memory or has stopped speaking. The 1983 film titled Sadma (starring Kamal Haasan and Sridevi) is a prime example. The movie deals with a woman who suffers a head injury and emotional trauma (sadma), reverting to the mental state of a child. This cultural touchstone has cemented the word 'sadma' in the collective consciousness of Hindi speakers as something deeply tragic and transformative.

फिल्म के अंत में हीरो को बहुत बड़ा सदमा लगता है। (At the end of the film, the hero experiences a very big shock.)

You will also hear this in hospitals or medical settings. Doctors might use it to describe a patient's psychological state after an operation or a diagnosis. Phrases like 'unhe sadma laga hai, unhe aaraam ki zaroorat hai' (he has suffered a shock, he needs rest) are common. In these contexts, it is a semi-medical term for psychological trauma.

In literature and poetry (Shayari), 'sadma' is used to describe the pain of heartbreak or the loss of a loved one. Poets often speak of 'sadma-e-firaq' (the shock/pain of separation). While this is more high-literary, the base verb 'sadma lagna' remains the standard way to express this feeling in prose. It bridges the gap between everyday speech and poetic expression.

यह खबर सुनकर मुझे एक सदमा सा लगा। (Hearing this news, I felt something like a shock.)

Daily Conversation
Used when discussing serious family problems or financial disasters.

Finally, in social media and modern discourse, the word is sometimes used for dramatic effect (hyperbole), though less frequently than 'shock' in English. If someone's favorite TV show is cancelled, they might jokingly say 'Mujhe sadma laga hai,' but the word's heavy history usually keeps it reserved for truly serious events. As a learner, it is best to use it for genuine emotional distress to avoid sounding overly dramatic.

उसकी बातों से मुझे गहरा सदमा लगा। (I was deeply shocked by his words.)

क्या तुम्हें इस सच्चाई से सदमा लगा? (Were you shocked by this reality?)

One of the most common mistakes English speakers make when using सदमा लगना (sadma lagna) is applying the wrong grammatical subject. In English, we say 'I am shocked.' If you translate this literally into Hindi as 'Main sadma hoon' (I am a shock) or 'Main sadma laga' (I attached shock), it is incorrect and nonsensical. You must use the dative 'ko' construction: Mujhe sadma laga.

Incorrect
मैं सदमा लगा। (Main sadma laga) - Wrong.
Correct
मुझे सदमा लगा। (Mujhe sadma laga) - Right.

Another frequent error is confusing 'sadma' with an electric shock. If you touch a live wire and get shocked, you do not use 'sadma.' For electric shocks, Hindi speakers use the English word 'shock' (mujhe shock laga) or 'current' (mujhe current laga). Using 'sadma' in this context would make it sound like the electricity gave you deep psychological trauma, which sounds quite strange in Hindi.

बिजली का झटका (Electric shock) vs मन का सदमा (Emotional shock).

Gender agreement is the third hurdle. Since 'sadma' is a masculine noun, the verb 'lagna' must always be in its masculine form when referring to a single instance of shock in the past tense ('laga'). Learners often try to change 'laga' to 'lagi' if the person being shocked is female. For example, 'Sita ko sadma lagi' is incorrect. It must be 'Sita ko sadma laga.' The verb agrees with 'sadma,' not 'Sita.'

Misusing the intensity is also common. 'Sadma' is a very strong word. If you find out your favorite restaurant is closed, saying 'mujhe sadma laga' is a massive overstatement. It would be better to use 'bura laga' (felt bad) or 'hairani hui' (was surprised). Reserve 'sadma' for events that are truly distressing and difficult to overcome.

छोटी बातों के लिए सदमा शब्द का प्रयोग न करें। (Do not use the word 'sadma' for small things.)

Confusion with 'Dhakka'
'Dhakka lagna' can mean a physical push or an emotional setback. 'Sadma' is purely emotional/psychological.

Lastly, learners sometimes forget the postposition 'ko' altogether. They might say 'Vah sadma laga.' This is grammatically incomplete. Without 'ko,' the sentence doesn't indicate who is experiencing the shock. Always ensure the person receiving the shock is followed by 'ko' (e.g., 'Bhai ko,' 'Maa ko,' 'Doston ko').

उसे (He+ko) सदमा लगा। (He was shocked.)

While सदमा लगना (sadma lagna) is powerful, there are several other ways to express shock or surprise in Hindi, depending on the intensity and the nature of the event. Understanding these alternatives will make your Hindi sound more natural and precise.

धक्का लगना (Dhakka Lagna)
This literally means 'to receive a push.' Emotionally, it refers to a setback or a sudden disappointment. It is slightly less intense than 'sadma' and is often used for financial or professional shocks. Example: 'Business mein loss se unhe dhakka laga' (They received a setback from the business loss).

For general surprise or amazement, use हैरानी होना (hairani hona) or अचंभा होना (achambha hona). These words don't carry the negative weight of 'sadma.' You can be 'hairan' (surprised) by a beautiful sunset or a magic trick. 'Sadma' would never be used in those contexts.

Comparison: हैरानी (Surprise) vs सदमा (Trauma).

Another formal term is स्तब्ध रह जाना (stabdha reh jaana), which means 'to be stunned' or 'to be left speechless.' This is often used in literature or formal reporting. It describes the state of being paralyzed by news. While 'sadma lagna' describes the impact, 'stabdha reh jaana' describes the resulting state of the person.

If the shock is specifically related to fear, you might use दहशत होना (dahshat hona) or सहम जाना (saham jaana). 'Saham jaana' means to be startled or to shrink in fear. 'Sadma' is broader; it includes grief, loss, and betrayal, not just fear.

उसे अपनी गलती का अहसास हुआ, सदमा नहीं। (He realized his mistake, he wasn't shocked.)

Synonym Comparison Table
  • Sadma Lagna: Deep psychological trauma/shock (Negative).
  • Dhakka Lagna: Setback or sudden disappointment (Moderate).
  • Hairani Hona: Surprise or wonder (Neutral/Positive).
  • Stabdha Hona: Being stunned or paralyzed by news (Formal).

In very informal slang, young people might use the English word 'Shock' directly: 'Main to shock ho gaya' (I was shocked). However, this is grammatically 'Hinglish' and lacks the gravitas of 'sadma lagna.' If you want to convey deep empathy, 'sadma' is always the better choice.

खबर सुनकर वह सुन्न पड़ गया। (He went numb upon hearing the news.) - 'Sunn padna' is a great alternative for the physical sensation of shock.

Examples by Level

1

राम को सदमा लगा।

Ram was shocked.

Direct use of dative 'ko' with a name.

2

मुझे बहुत सदma लगा।

I was very shocked.

Adding 'bahut' for intensity.

3

क्या उसे सदमा लगा?

Was he shocked?

Simple question formation.

4

माँ को सदमा लगा।

Mother was shocked.

Subject is 'Maa ko'.

5

उसे सदमा नहीं लगा।

He was not shocked.

Negative sentence with 'nahin'.

6

भाई को सदमा लगा।

Brother was shocked.

Standard dative construction.

7

हमें सदमा लगा।

We were shocked.

Plural pronoun 'humein'.

8

यह सुनकर उसे सदमा लगा।

Hearing this, he was shocked.

Using 'kar' to show 'after hearing'.

1

रिजल्ट देखकर उसे गहरा सदमा लगा।

He was deeply shocked to see the result.

'Gahra' (deep) modifies 'sadma'.

2

दोस्त की बात से मुझे सदma लगा।

I was shocked by my friend's words.

Using 'se' to indicate the cause.

3

उसे कल बहुत बड़ा सदमा लगा।

He received a very big shock yesterday.

Use of 'kal' (yesterday) with past tense 'laga'.

4

क्या आपको यह खबर सुनकर सदमा लगा?

Were you shocked to hear this news?

Interrogative with 'news' context.

5

सीता को अपनी बिल्ली के खोने पर सदमा लगा।

Sita was shocked at the loss of her cat.

'Kone par' (upon losing).

6

हमें इस हार से सदमा लगा है।

We have been shocked by this defeat.

Present perfect 'laga hai'.

7

उसे सच जानकर सदमा लगेगा।

He will be shocked to know the truth.

Future tense 'lagega'.

8

मेरे पिताजी को कभी सदमा नहीं लगा।

My father was never shocked.

Using 'kabhi nahin' (never).

1

उनकी अचानक मृत्यु से पूरे गाँव को सदमा लगा।

The whole village was shocked by his sudden death.

Collective subject 'pure gaon ko'.

2

व्यापार में घाटा होने पर उसे बहुत गहरा सदमा लगा।

He was very deeply shocked when he suffered a loss in business.

Complex cause 'ghata hone par'.

3

मुझे इस धोखे से बहुत सदमा लगा है।

I have been very shocked by this betrayal.

Abstract noun 'dhoka' (betrayal).

4

क्या उन्हें सचमुच सदमा लगा या वे नाटक कर रहे हैं?

Were they really shocked or are they acting?

Alternative question with 'ya'.

5

इतने बड़े हादसे के बाद उसे सदमा लगना स्वाभाविक था।

It was natural for him to be shocked after such a big accident.

Using 'sadma lagna' as a gerund/subject.

6

उसे अपनी नौकरी जाने का गहरा सदमा लगा।

He felt a deep shock at losing his job.

Possessive 'ka' linking 'job loss' and 'shock'.

7

फिल्म का अंत देखकर दर्शकों को सदमा लगा।

The audience was shocked to see the end of the film.

Plural recipient 'darshakon ko'.

8

उसे इस बात का सदमा लगा कि किसी ने उसकी मदद नहीं की।

He was shocked that no one helped him.

Complex clause starting with 'ki'.

1

भूकंप की तबाही देखकर दुनिया को गहरा सदमा लगा।

The world was deeply shocked to see the devastation of the earthquake.

Global context.

2

उसे बचपन में लगे सदमे से बाहर आने में सालों लग गए।

It took him years to come out of the shock he received in childhood.

Relative clause 'lage sadme se'.

3

अगर आप उसे यह बताएंगे, तो उसे सदमा लग सकता है।

If you tell him this, he might be shocked.

Conditional with 'sakta hai' (possibility).

4

डॉक्टर ने कहा कि उसे मानसिक सदमा लगा है।

The doctor said that he has suffered a mental shock.

Reported speech.

5

उसकी बातों में जो कड़वाहट थी, उससे मुझे सदमा लगा।

I was shocked by the bitterness that was in his words.

Relative pronoun 'jo'... 'usse'.

6

इतने ईमानदार आदमी पर चोरी का आरोप लगने से सबको सदमा लगा।

Everyone was shocked that such an honest man was accused of theft.

Gerund phrase 'aarop lagne se'.

7

वह अभी भी उस पुराने सदमे से उबर नहीं पाया है।

He is still not able to recover from that old shock.

Verb 'ubarna' (to recover/emerge).

8

क्या सरकार को इस विरोध प्रदर्शन से सदमा लगा है?

Has the government been shocked by this protest?

Political context.

1

विभाजन के दौरान हुए दंगों का सदमा आज भी कई परिवारों में जीवित है।

The trauma of the riots during the Partition is still alive in many families today.

Historical/Societal context.

2

उनकी कविताओं में विरह का सदमा साफ झलकता है।

The shock/pain of separation is clearly reflected in his poems.

Literary analysis.

3

यह खबर एक राष्ट्रीय सदमे की तरह आई।

This news came like a national shock.

Simile 'sadme ki tarah'.

4

उसे इस बात से गहरा सदमा लगा कि उसके आदर्श ही झूठे निकले।

He was deeply shocked that his very ideals turned out to be false.

Existential/Philosophical context.

5

मनोवैज्ञानिकों के अनुसार, बचपन का सदमा व्यक्तित्व को पूरी तरह बदल सकता है।

According to psychologists, childhood trauma can completely change one's personality.

Scientific/Academic context.

6

उसने अपने जीवन के सबसे बड़े सदमे को अपनी ताकत बना लिया।

He turned the biggest shock of his life into his strength.

Inspirational context.

7

बाजार के अचानक गिरने से निवेशकों को जबरदस्त सदमा लगा।

Investors were severely shocked by the sudden crash of the market.

Economic context.

8

इतिहास गवाह है कि युद्ध का सदमा पीढ़ियों तक चलता है।

History is witness that the trauma of war lasts for generations.

Formal rhetoric.

1

सत्ता के गलियारों में हुए इस तख्तापलट से पूरे राजनीतिक तंत्र को सदमा लगा।

The entire political system was shocked by this coup in the corridors of power.

High-level political vocabulary.

2

अस्तित्ववाद की गहराई में जाने पर उसे एक दार्शनिक सदमा लगा।

Upon delving into the depths of existentialism, he experienced a philosophical shock.

Philosophical nuance.

3

उसकी कला में उस सदमे की गूँज सुनाई देती है जिसे उसने कभी शब्दों में नहीं कहा।

In his art, one can hear the echo of that trauma which he never expressed in words.

Metaphorical usage.

4

वैश्विक महामारी ने मानवता के सामूहिक मानस को एक गहरा सदमा दिया है।

The global pandemic has given a deep shock to the collective psyche of humanity.

Sociological context.

5

न्यायपालिका के इस अप्रत्याशित फैसले से कानूनविदों को सदमा लगा।

Legal experts were shocked by this unexpected decision of the judiciary.

Legal/Professional register.

6

उसने उस सदमे को आत्मसात कर लिया और एक नई पहचान गढ़ी।

He assimilated that shock and forged a new identity.

Advanced psychological concepts.

7

यह सदमा केवल व्यक्तिगत नहीं, बल्कि एक सभ्यतागत संकट का संकेत है।

This shock is not just personal, but a sign of a civilizational crisis.

Broad intellectual scope.

8

शब्दों की कमी तब महसूस होती है जब सदमा रूह तक पहुँच जाता है।

The lack of words is felt when shock reaches the soul.

Poetic/Existential depth.

Synonyms

धक्का लगना हैरान होना स्तब्ध होना अचंभित होना चकित होना सहम जाना दहशत में आना सुन्न पड़ जाना

Antonyms

खुशी होना उत्साहित होना शांत रहना तैयार होना

Common Collocations

गहरा सदमा
मानसिक सदमा
अचानक सदमा
बड़ा सदमा
सदमे से उबरना
सदमे की हालत
सदमा पहुँचाना
पुराना सदमा
दिल का सदमा
राष्ट्रीय सदमा

Common Phrases

सदमे में होना

— To be in a state of shock.

वह अभी भी सदमे में है।

सदमा बर्दाश्त करना

— To bear or endure a shock.

वह इतना बड़ा सदमा बर्दाश्त नहीं कर पाया।

सदमे से बाहर आना

— To come out of shock.

उसे सदमे से बाहर आने में मदद चाहिए।

गहरा सदमा पहुँचाना

— To cause a deep shock to someone.

तुम्हारी बातों ने उसे गहरा सदमा पहुँचाया।

सदमे की खबर

— Shocking news.

यह वाकई एक सदमे की खबर है।

सदमे का शिकार

— Victim of a shock/trauma.

वह इस हादसे में सदमे का शिकार हो गया।

सदमे से सुन्न होना

— To be numb with shock.

वह सदमे से सुन्न हो गई थी।

सदमे का कारण

— The cause of the shock.

डॉक्टर सदमे का कारण ढूँढ रहे हैं।

सदमे से मौत

— Death due to shock.

उसकी सदमे से मौत हो गई।

सदमे को झेलना

— To handle or face a shock.

वह हर सदमे को बहादुरी से झेलता है।

Idioms & Expressions

"पैरों तले जमीन खिसकना"

— To be extremely shocked (literally: ground slipping from under feet).

सच जानकर उसके पैरों तले जमीन खिसक गई।

Informal/Literary
"काटो तो खून नहीं"

— To be so shocked that one is paralyzed/pale (literally: if cut, no blood).

पुलिस को देखकर उसकी हालत ऐसी थी कि काटो तो खून नहीं।

Informal
"स्तब्ध रह जाना"

— To be completely stunned.

वह खबर सुनकर स्तब्ध रह गया।

Formal
"सन्नाटे में आना"

— To fall into a shocked silence.

हार के बाद पूरी टीम सन्नाटे में आ गई।

Neutral
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