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that's a gun jeschica
we don't the really annoys cause
I'm gonna use action bong joon-ho is a
filmmaker obsessed with rhythm you can
sense it in all of his films but in his
latest parasite he outdoes himself the
tempo is perfectly calibrated as a
viewer it almost feels like you're
surfing the story the way the editing
and camerawork sound design and music
carries you from moment to moment
I think bong knows that getting the
pacing exactly right is the only way he
can get his bold tonal shifts to work
the result of such attention to rhythm
is a totally immersive viewing
experience the cadence of the whole
movie is tightly controlled but there's
a montage about 40 minutes in that
distills his mastery into a perfect
diamond of a sequence 60 shots almost
exactly five minutes definitely my
favorite five minutes of the year and I
think it's worth taking a closer look at
because it's really a thing of beauty
first the setup the montage comes at the
end of Act one of parasite after a poor
family have almost successfully duped a
rich family into hiring them all for
service jobs the son becomes a tutor the
daughter becomes an art teacher the
father a driver and other attempting to
bring the mother in as a housekeeper
problem is that the existing housekeeper
is well established and well liked by
the rich family so the poor family
hatches a plan to remove her from the
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