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B1 Mittelstufe Englisch 16:50 Educational

Making Of OPPENHEIMER (2023) - Best Of Behind The Scenes & Set Visit With Christopher Nolan | UPI

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Lernstatistiken

B1

GER-Niveau

5/10

Schwierigkeit

Untertitel (409 Segmente)

00:00

thank you

00:01

this is a national emergency

00:05

I'll work here

00:06

will ensure a peace mankind has never

00:09

seen

00:10

the world will remember this day

00:13

[Applause]

00:18

this is arguably the most important

00:20

story of our time the stakes really

00:22

couldn't be any higher it's profound but

00:25

it's told in a very human way everything

00:27

Chris Nolan has done has been a Prelude

00:31

to this this is not a film this is an

00:34

experience it is a heart in your mouth

00:37

Thriller

00:40

I've been interested in oppenheimer's

00:42

story for a long time at some point I

00:45

learned this key piece of information

00:46

that in the lead up to the Trinity test

00:49

they were dealing with the very small

00:52

possibility that when they push that

00:54

button to be set fire to the atmosphere

00:56

of the earth and destroy the entire

00:57

planet and yet they push that button

01:03

I wanted to take the audience into that

01:05

extraordinary moment in human history

01:15

all America's industrial might and

01:18

scientific innovation connected here

01:20

secret Laboratory

01:22

Killian playing Oppenheimer was the

01:24

centerpiece of the film but I knew that

01:26

he was going to need the most

01:27

extraordinary Ensemble around him it's

01:29

going to recruit some scientists the

01:31

people involved in the Manhattan Project

01:33

were charismatic individuals they're

01:35

very talented the world that Oppenheimer

01:38

inhabits is filled with rock star

01:41

scientists and and I think because we

01:43

have all these fantastic actors you

01:45

really buy that

01:47

it felt like I was playing sports with

01:49

some of the best athletes every single

01:51

person has come to set knowing that they

01:53

have been hired because somewhere along

01:55

the line Chris thought that you did a

01:56

good job and this goes for crew as well

02:04

my preference is to always do things in

02:06

camera as much as possible it sets a big

02:09

challenge for every Department to

02:10

actually bring the reality of a thing

02:12

there for the actors

02:14

the crew member on this film has to

02:17

adjust their work for the iMac screen

02:19

IMAX can contain 18K resolution per

02:23

frame which is by far more than any

02:26

digital camera it gets thrown up on a

02:28

gigantic screen and the moment you watch

02:30

it it's very evident the quality is

02:32

unprecedented this is the story of

02:34

America in the 20th century so I think

02:37

it can be painted on that big of a

02:39

canvas and what better way to do that

02:40

but with IMAX cameras why would we go to

02:43

the middle of nowhere for who knows how

02:46

long I always try to use real locations

02:49

as much as possible with location

02:51

shooting or sets the more things can

02:53

just be real the better they're going to

02:55

feel to the audience there's almost no

02:57

Studio work on this film everything is

02:59

location

03:00

the sets were built in such a way that

03:02

they felt incredibly authentic

03:06

we built our Los Alamos at Ghost Ranch

03:08

New Mexico which is along the same

03:10

mountain range that Los Alamos proper

03:12

sits on this was very important and I

03:15

based all of this on Research we built

03:18

all of these buildings 360. we want it

03:21

to feel like you are right there you are

03:23

in this this is happening this is real

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