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B1 中级 英语 18:50 Educational

Making Of MISSION IMPOSSIBLE: THE FINAL RECKONING - Best Of Behind The Scenes & Stunts | Tom Cruise

STREAM WARS · 1,683,629 次观看 · 添加于 3 周前

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字幕 (435 片段)

00:03

[Music]

00:07

I need you to trust

00:09

me one last time.

00:17

Okay, guys. Clear the roads. You cannot

00:20

have Mission Impossible without having a

00:22

sequence in which Tom Cruz is running.

00:24

To be able to shoot at Parliament and

00:26

Westminster Bridge was really something.

00:28

I'm going to be on this line the whole

00:30

time. But that's good right there. Okay.

00:35

Okay. Thank you. Just stay ahead of him.

00:40

Here we are. Rolling. Here we go. We're

00:42

set. And 3 2 1

00:53

action. Fossmer is just it's

00:55

breathtakingly beautiful. What an

00:57

absolutely remarkable place to be able

00:59

to film. It is a unique experience.

01:03

If you want to shoot the ice cap, you're

01:05

going when the temperatures are

01:06

absolutely their most

01:08

extreme. And of course, the Arctic hit

01:11

us right in the face. You can't fake

01:13

being inus 40°. Take your gloves off for

01:16

a few seconds, your fingers start to

01:18

freeze.

01:20

Being in an environment like that adds

01:22

to the suspense and the drama.

01:25

I want to give audiences an experience

01:27

of being there. It was a real privilege

01:29

to do it. It looks amazing on the

01:31

screen.

01:38

Everything we're doing it's underwater

01:40

and we all know it's a

01:41

dangerous. We've developed hand signals

01:44

underwater talking to understanding

01:46

depth or frame. Do it again. All of

01:49

these things. There's a lot of stuff

01:51

happening.

01:52

Back to light.

01:55

Okay, rolling.

01:59

We have different signals for

02:01

performance. Close up, longer, if I'm

02:06

resting. Once we got the hand signals,

02:08

it made things a lot more efficient. But

02:11

shooting underwater, there's always a

02:13

sense of danger.

02:21

I'm looking straight down. Yeah, look at

02:24

this. She's an alter. Shooting in the

02:26

mine. The scale of it is absolutely

02:28

enormous. It is an incredibly practical

02:31

location. Standing by. It was taking

02:34

everything we had learned from every

02:35

other car chase and leveling it up. When

02:38

we looked at the terrain, we recognized

02:39

that this is going to require something

02:41

more rugged. And we wanted to see Tom

02:44

drive it. And that's when we decided on

02:46

Jeep. Let's reset and do one more.

02:48

You'll see we put it through its paces.

02:50

The power in these Jeeps was just

02:51

amazing. You guys ready? Go hard. Go

03:05

hard. Confirm camera

03:10

still. You are clear

03:12

behind 10

03:14

seconds. Okay. Flying over. Push it.

03:18

Push it. I just can't hold this. Stop.

03:20

Stop. Go up.

03:23

It is the most extreme practical action

03:27

ever filmed. Tom and I are completely

03:30

devoted to the biggest experience

03:33

possible and there is no bigger format

03:36

than

03:36

IMAX. What it brings to the

03:39

story really is quite immersive. From a

03:43

character's journey to the landscapes,

03:46

every aspect is there on the screen. The

03:50

philosophy of Mission Impossible is to

03:52

transport an audience to a place they've

03:54

never been, a place they may never be

03:56

able to go. Seeing it on IMAX, it

03:58

invests you in that world. This is

03:59

cinema. This is the experience that is

04:01

defining for an

04:07

audience. 3.

04:11

You can't imagine how physically

04:13

punishing it was for Tom to be on the

04:15

wing.

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