A2 noun 14 دقیقه مطالعه
At the A1 level, you should learn 便箋 (びんせん - binsen) as a basic vocabulary word for 'paper used for letters.' Think of it as a specific type of paper, different from the paper in your notebook. You might use it in very simple sentences like 'I buy stationery' (binsen wo kaimasu) or 'This is pretty stationery' (kore wa kirei na binsen desu). At this stage, don't worry too much about the complex kanji; just focus on the sound 'binsen' and the fact that it is a noun used for writing messages to friends or family. You will often see it in stores next to envelopes (fūtō). It is a useful word to know if you want to buy a souvenir in Japan, as Japanese stationery is world-famous for being cute and high-quality. Just remember that it is a thing you use with a pen (pen) to write a letter (tegami).
At the A2 level, you can start using 便箋 (びんせん) in more descriptive sentences. You should understand that binsen is the correct word to use when you are actually writing a letter, rather than just using a piece of scrap paper. You can use adjectives to describe it, like 'expensive stationery' (takai binsen) or 'Japanese-style stationery' (wa-fuu no binsen). You should also learn the counter 枚 (mai) for counting sheets, such as 'binsen ni-mai' (two sheets of stationery). This level involves understanding the context: you use binsen when you want to be a bit more polite or thoughtful. For example, 'I wrote a letter on stationery' (binsen ni tegami wo kakimashita). You might also encounter it in 100-yen shops where it is labeled clearly. It is a key word for basic social interactions that involve gift-giving or sending notes.
At the B1 level, you should be aware of the different types of 便箋 (びんせん) and the social expectations surrounding them. You should distinguish between tategaki (vertical writing) and yokogaki (horizontal writing) stationery. You can use the word in more complex grammar structures, such as 'I need to buy some stationery because I'm going to write a thank-you letter' (orei-jō wo kaku node, binsen wo kawanakereba narimasen). You should also be familiar with the term ippitsusen (short note paper) as a related but distinct concept. At this level, you start to understand that choosing the right binsen is part of 'reading the air' (kuuki wo yomu) in Japanese culture. You might use it in business contexts to describe preparing formal correspondence materials. Your vocabulary should also include 'binsen-setto' for stationery sets.
At the B2 level, you should understand the nuance of 便箋 (びんせん) as a reflection of the sender's character and intention. You can discuss the quality of the paper (kamishitsu) and how it affects the writing experience (kakigochi). You might use the word in discussions about traditional culture versus digital communication, arguing for the value of handwritten letters on high-quality binsen. You should be comfortable using the word in formal business Japanese, such as 'Please use the company's official stationery' (shasai no binsen wo shiyou shite kudasai). You should also recognize the kanji without furigana and be able to explain the difference between binsen and genkō yōshi (manuscript paper) in detail. This level involves a deeper appreciation for the aesthetic and tactile aspects of Japanese stationery culture.
At the C1 level, your understanding of 便箋 (びんせん) should include its historical development and its role in Japanese literature. You can use the word in academic or highly formal contexts, discussing the decline of the stationery industry or the psychological impact of tactile communication. You might encounter the word in classical or semi-classical literature where the choice of paper (its color, scent, and texture) was a vital part of romantic and political communication. You should be able to use the word metaphorically or in sophisticated descriptions of social etiquette. For example, you might analyze how the use of washi-binsen in a particular scene of a novel signifies the character's adherence to tradition. Your command of related technical terms, like keisen (ruled lines) or mizuhiki (decorative cords sometimes used with stationery), should be firm.
At the C2 level, you have a masterly grasp of 便箋 (びんせん) and all its cultural connotations. You can engage in deep philosophical discussions about the 'materiality of the message' and how the physical properties of binsen—its grain, weight, and absorbency—interact with the ink and the writer's hand to create a unique artifact. You are aware of the most prestigious stationery brands and the regional variations of paper production across Japan. You can write flawlessly in both vertical and horizontal formats on various types of binsen, choosing the appropriate level of honorifics and seasonal greetings to match the paper's design. The word is no longer just a noun to you; it is a symbol of the entire Japanese communicative ethos, representing the intersection of art, etiquette, and personal connection.

The Japanese word 便箋 (びんせん - binsen) is a noun that specifically refers to writing paper or stationery used for drafting letters. While the English word 'stationery' can sometimes act as a broad umbrella term covering envelopes, pens, and paper, binsen focuses primarily on the sheets of paper themselves. In the hierarchy of Japanese communication, binsen represents a bridge between the informal digital world and the highly formal world of traditional scroll-based calligraphy. It is the standard medium for heartfelt correspondence, business apologies, and seasonal greetings that require a more personal touch than a simple email or postcard.

Etymology and Nuance
The first kanji, 便 (bin), relates to 'convenience,' 'mail,' or 'delivery.' The second kanji, 箋 (sen), refers to a small piece of paper, a label, or a writing pad. Together, they describe a paper specifically designed for the convenience of sending messages. Unlike nōto (notebook paper), binsen often features specific decorative elements, such as seasonal floral patterns, light ruling (either vertical or horizontal), and a texture that is optimized for fountain pens or ballpoint pens.

In modern Japan, the use of binsen is deeply tied to the concept of omotenashi (hospitality) and kokoro-zukai (thoughtfulness). When someone takes the time to select a specific set of binsen that reflects the current season—such as paper with cherry blossoms in April or maple leaves in November—it signals to the recipient that the sender has put significant thought into the communication. This is why you will find massive sections in Japanese department stores like Itoya or Loft dedicated solely to different varieties of binsen, ranging from simple white sheets for business to high-end washi (traditional Japanese paper) versions that feel like works of art.

お礼の手紙を書くために、素敵な便箋を選びました。 (I chose some lovely stationery to write a thank-you letter.)

Culturally, the physical act of writing on binsen is seen as a way to convey sincerity (seishin-seisui). In a business context, if a mistake is made on a sheet of binsen, it is common practice to start over on a fresh sheet rather than using correction tape, as the physical integrity of the paper represents the clarity of the sender's intent. Furthermore, the choice of binsen is often paired with a matching fūtō (envelope), creating a unified aesthetic experience for the person opening the mail. This attention to detail is a hallmark of Japanese social interaction.

Types of Binsen
There are several varieties: 1. Tate-deki (Vertical ruling): Used for formal correspondence and traditional letters. 2. Yoko-deki (Horizontal ruling): More modern and common for casual notes. 3. Mujirushi (Plain): Often used for creative writing or when the sender wants to use their own layout. 4. Washi-binsen: High-quality handmade paper often used for special occasions like weddings or condolences.

この便箋は書き心地がとても滑らかです。 (This writing paper is very smooth to write on.)

When you use the word binsen, you are tapping into a long history of literacy and artistic expression. Even in the digital age, Japanese schools still emphasize the importance of handwriting, and binsen remains a staple item in every household's 'junk drawer' or desk. It is not just 'paper'; it is the vessel for one's voice when the person cannot be there in person. Whether it is a child writing to Santa or a CEO writing a letter of resignation, the binsen is the silent witness to these human moments.

Common Pairings
You will frequently see 'binsen' used with the verbs 'erabu' (to choose), 'kau' (to buy), and 'tsukau' (to use). It is also often found in the phrase 'binsen to fūtō' (stationery and envelopes), which are the two essential components of a letter set.

和紙の便箋を使って、祖母に手紙を送りました。 (I sent a letter to my grandmother using Japanese washi stationery.)

In summary, binsen is a word that carries more weight than its simple definition of 'writing paper' might suggest. It is a cultural marker of care, a tool for formal etiquette, and a beloved item for those who appreciate the tactile beauty of physical communication in an increasingly virtual world.

Using 便箋 (びんせん) in a sentence is relatively straightforward because it functions as a standard noun. However, to sound natural in Japanese, you need to understand the typical verbs and particles that accompany it. Most commonly, binsen acts as the direct object of an action, marked by the particle を (wo). For example, 'to write on stationery' isn't usually 'binsen ni kaku' (though that is grammatically possible), but rather 'binsen ni tegami wo kaku' (to write a letter on stationery) or simply 'binsen wo tsukau' (to use stationery).

Common Verb Patterns
1. 便箋を買う (Binsen wo kau): To buy stationery.
2. 便箋を選ぶ (Binsen wo erabu): To choose stationery.
3. 便箋を切らす (Binsen wo kirasu): To run out of stationery.
4. 便箋を綴じる (Binsen wo tojiru): To bind stationery (into a pad).

When describing the qualities of the paper, you use the particle は (wa) or が (ga) followed by an adjective. Because binsen is a physical object, adjectives like utsukushii (beautiful), jōto (high-quality), usu-i (thin), or atsu-i (thick) are frequently used. For instance, 'Kono binsen wa totemo jōto desu' (This stationery is very high-quality). This helps the listener understand the specific type of paper being discussed.

コンビニで一番安い便箋を買ってきました。 (I bought the cheapest stationery at the convenience store.)

In more complex sentences, binsen can be part of a compound noun or a modifying phrase. You might hear 'flower-patterned stationery' (hana-gara no binsen) or 'vertical-ruled stationery' (tategaki no binsen). These modifiers are essential when shopping or asking for a specific type of paper in a store. If you are at a stationery shop, you might ask, 'Tategaki no binsen wa arimasu ka?' (Do you have vertical-ruled stationery?).

Using Particles with Binsen
- に (ni): Marks the surface. 'Binsen ni kaku' (Write on the stationery).
- で (de): Marks the tool/medium. 'Binsen de tegami wo dasu' (Send a letter via/using stationery).
- と (to): Marks a pair. 'Binsen to fūtō' (Stationery and envelopes).

この便箋には、きれいな桜の模様が入っています。 (This stationery has a beautiful cherry blossom pattern on it.)

Finally, consider the level of formality. While binsen is the standard term, in very casual settings, people might just say 'kami' (paper), but this is vague. Using binsen clarifies that the paper is specifically for a letter. In professional settings, you might hear 'shitsumu-binsen' (office stationery), though this is becoming rarer as digital communication takes over. Even so, the word remains a vital part of the vocabulary for anyone engaging in traditional Japanese social life.

彼はいつも万年筆と上質な便箋を持ち歩いている。 (He always carries a fountain pen and high-quality stationery with him.)

By mastering these patterns, you can effectively communicate your needs regarding letter writing and demonstrate a sophisticated understanding of Japanese material culture.

The word 便箋 (びんせん) is most frequently encountered in three primary environments: retail stores, educational settings, and formal social gatherings. Understanding these contexts will help you recognize the word when it is spoken at a natural speed. In retail, specifically in stationery shops (bunguya) or the stationery floor of a department store (depāto), the word is ubiquitous. Clerks will often ask, 'Binsen wo osagashi desu ka?' (Are you looking for stationery?) or suggest a 'binsen-setto' (stationery set) that includes matching envelopes.

At the Stationery Store
When you enter a store like Itoya in Ginza, you will see signs labeled '便箋' everywhere. You might hear customers discussing the 'kami-shitsu' (paper quality) or 'keisen' (ruled lines) of the binsen. It is a place where the word is used with a sense of appreciation for craftsmanship.

Another common place to hear this word is in the classroom. While students usually use nōto (notebooks) for lessons, teachers will instruct students to use binsen when writing formal letters to parents, thank-you notes after a field trip, or letters to a 'pen pal' (pen-paru). In this context, binsen is taught as part of 'tegami no kakikata' (how to write a letter), a fundamental part of the Japanese language curriculum that emphasizes correct formatting and honorifics.

「先生、この便箋を使ってもいいですか?」 (Teacher, may I use this stationery?)

In the household, you might hear a parent ask a child, 'Binsen wa doko ni aru?' (Where is the stationery?) when they need to write a note to a neighbor or a teacher. It is a standard household item, often kept in a specific drawer alongside stamps (kitte) and envelopes (fūtō). Even if people don't write letters every day, the word is part of the 'common knowledge' vocabulary that every native speaker knows from a young age.

In Business and Formal Events
In a corporate setting, binsen might be used for 'orei-jō' (letters of thanks) following a meeting or a gift. While much business is done via email, a handwritten note on high-quality binsen is a powerful way to build relationships. You might hear a secretary say, 'Binsen wo junbi shimashita' (I have prepared the stationery) for the boss.

百円ショップでも、可愛いデザインの便箋がたくさん売っています。 (Even at 100-yen shops, many stationery sets with cute designs are sold.)

Lastly, you will encounter the word in literature and media. Titles of books or songs might include binsen to evoke a sense of nostalgia or intimacy. Because the act of writing on binsen takes time and effort, the word itself has become a symbol of 'slow communication' in a 'fast world.' Hearing the word often triggers a mental image of a quiet room, a desk, and a person carefully choosing their words.

Whether you are navigating a shop in Tokyo or watching a Japanese film, keeping an ear out for binsen will give you insight into how Japanese people value the physical medium of their messages.

For English speakers learning Japanese, the most common mistake with 便箋 (びんせん) is confusing it with other types of paper. In English, we might loosely use the word 'paper' for everything from a napkin to a legal document, but Japanese is much more specific. A frequent error is using nōto (notebook) when you mean binsen. If you say you wrote a formal thank-you letter on 'nōto no kami' (notebook paper), it sounds very casual and perhaps even a bit rude, as notebook paper is for study and rough drafts, not for correspondence.

Binsen vs. Copy Paper
Another mistake is using 'kopī yōshi' (copy paper) for letters. While copy paper is functional, it lacks the 'ruling' and 'texture' that defines binsen. Using copy paper for a letter is like wearing a t-shirt to a wedding—it works, but it's not the right 'dress code' for the occasion.

There is also a kanji-related pitfall. The second kanji 箋 (sen) is relatively rare and can be easily confused with sen (line/線) or zen (all/全). Learners might accidentally write the wrong character or mispronounce it as 'binzen.' Remember that the 's' in sen is unvoiced. Mispronouncing it as 'binzen' might lead to confusion with 'bento' (lunch box) or other unrelated words if the context isn't clear.

❌ 私はコピー用紙に手紙を書きました。
✅ 私は便箋に手紙を書きました。

Grammatically, learners often struggle with the counter. You cannot say 'binsen hitotsu' (one stationery). You must use the counter for thin, flat objects: 枚 (mai). So, 'three sheets of stationery' is 'binsen san-mai.' If you are referring to the whole pad, you use 冊 (satsu), as in 'binsen issatsu' (one pad of stationery). Using the wrong counter is a common 'foreign' sounding mistake that is easily fixed with practice.

Cultural Missteps
Choosing the wrong *type* of binsen is a nuanced mistake. For example, using 'tategaki' (vertical) for a casual letter to a young friend might feel overly stiff, while using 'yokogaki' (horizontal) with colorful characters for a letter to a senior business partner would be considered inappropriate. Understanding the 'TPO' (Time, Place, Occasion) of your binsen choice is as important as the words you write on it.

❌ 便箋を一本買いました。
便箋を一冊買いました。

Finally, don't confuse binsen with genkō yōshi (manuscript paper). Genkō yōshi is the paper with grids used for writing essays or novels. If you write a letter on genkō yōshi, it looks like you are submitting a school assignment rather than sending a personal message. Always ensure you are using the correct paper for the specific communicative task at hand.

By being mindful of these distinctions, you will avoid the common traps that many learners fall into and your Japanese correspondence will appear much more natural and respectful.

While 便箋 (びんせん) is the specific term for letter-writing paper, several related words often appear in the same context. Understanding the differences between them will help you choose the right word for the right situation. The most closely related term is レターセット (retā setto), which is a loanword from English 'letter set.' A retā setto typically includes both binsen and fūtō (envelopes) that have matching designs. While binsen refers only to the paper, retā setto refers to the package.

Comparison: Binsen vs. Other Paper
便箋 (Binsen): Specifically for letters. Usually has lines and is high quality.
原稿用紙 (Genkō yōshi): Manuscript paper with a 400-character grid. Used for essays.
葉書 (Hagaki): Postcards. No envelope needed.
一筆箋 (Ippitsusen): A long, narrow strip of paper for very short, informal notes.

Another interesting alternative is 一筆箋 (いっぴつせん - ippitsusen). As the name suggests (one-stroke paper), it is used for short messages, often included with a gift or a document. While binsen is for full letters, ippitsusen is for a quick 'thank you' or 'please find the attached.' It is considered very elegant and efficient in Japanese business culture. If you are sending a small gift to a friend, using an ippitsusen is often more appropriate than a full sheet of binsen.

長い手紙には便箋を、短い伝言には一筆箋を使いましょう。 (Use stationery for long letters and a note slip for short messages.)

For general 'paper' needs, the word 用紙 (ようし - yōshi) is a useful catch-all term. It translates to 'blank form' or 'paper for a specific use.' You will see it in kopī yōshi (copy paper) or tōryō yōshi (application form). However, yōshi sounds more functional and less personal than binsen. If you ask someone for binsen, they know you are being thoughtful; if you ask for yōshi, they might just give you a scrap of paper from the printer.

Register and Context
- Stationery (General): 文房具 (Bunbōgu) - Includes pens, rulers, and paper.
- Writing Pad: メモ帳 (Memo-chō) - For quick reminders, not for sending to others.
- Traditional: 和紙 (Washi) - Refers to the material. Binsen can be made of washi.

このセットには、便箋が十枚と封筒が五枚入っています。 (This set contains ten sheets of stationery and five envelopes.)

Lastly, consider the word ステーショナリー (stēshonarī). This is used in trendy shops and lifestyle magazines. It sounds more modern and 'cool' than bunbōgu, but binsen remains the standard, irreplaceable term for the actual paper used in a letter. Even the most modern 'stationery shop' in Harajuku will still label its letter-writing paper as binsen.

By knowing these synonyms and their specific nuances, you can navigate the world of Japanese paper with confidence and choose the most appropriate medium for your message.

مثال‌ها بر اساس سطح

1

この便箋は百円です。

This stationery is 100 yen.

Basic 'A is B' structure using 'desu'.

2

きれいな便箋を買いました。

I bought some beautiful stationery.

Adjective 'kirei' modifying the noun 'binsen'.

3

便箋はどこにありますか。

Where is the stationery?

Question using 'doko' to ask for location.

4

便箋に手紙を書きます。

I will write a letter on the stationery.

Particle 'ni' marks the surface being written on.

5

この便箋は白いです。

This stationery is white.

I-adjective 'shiroi' used as a predicate.

6

便箋を三枚ください。

Three sheets of stationery, please.

Counter 'mai' used for flat objects.

7

母に便箋をあげました。

I gave the stationery to my mother.

Verb 'agemashita' (gave) with particles 'ni' and 'wo'.

8

便箋と封筒があります。

There are stationery and envelopes.

Particle 'to' used to list nouns.

1

コンビニで便箋を売っていますか。

Do they sell stationery at the convenience store?

Te-form 'utte imasu' for continuous state or habit.

2

もっと大きい便箋がほしいです。

I want some larger stationery.

Adjective 'ookii' with 'hoshii' (to want).

3

この便箋は書きやすいです。

This stationery is easy to write on.

Verb stem + 'yasui' meaning 'easy to do'.

4

箱の中に便箋が入っています。

There is stationery inside the box.

Particle 'ni' + 'haitte imasu' for contained items.

5

便箋を忘れないでください。

Please don't forget the stationery.

Negative request using 'nai de kudasai'.

6

新しい便箋を使ってみましょう。

Let's try using the new stationery.

Volitional 'mashou' with 'temiru' (try doing).

7

便箋に名前を書きました。

I wrote my name on the stationery.

Past tense verb 'kakimashita'.

8

色々な種類の便箋がありますね。

There are various kinds of stationery, aren't there?

Particle 'ne' for seeking agreement.

1

縦書きの便箋は、目上の人に手紙を書く時に使います。

Vertical-ruled stationery is used when writing to superiors.

Relative clause 'tegami wo kaku toki' (when writing a letter).

2

便箋がなくなったので、文房具屋へ行きました。

I ran out of stationery, so I went to the stationery store.

Conjunction 'node' indicating a reason.

3

どの便箋を使うか、迷っています。

I'm undecided about which stationery to use.

Indirect question using 'ka' followed by 'mayou'.

4

便箋を半分に折って、封筒に入れました。

I folded the stationery in half and put it in the envelope.

Te-form used to sequence actions.

5

最近は便箋を使う機会が減りましたね。

The opportunities to use stationery have decreased lately, haven't they?

Noun 'kikai' (opportunity) modified by a verb.

6

この便箋は、和紙で作られています。

This stationery is made from Japanese paper (washi).

Passive voice 'tsukurarete imasu'.

7

便箋にインクがにじんでしまいました。

The ink unfortunately blurred on the stationery.

Te-shimau construction for regretful actions.

8

お気に入りの便箋をずっと大切にしています。

I have been treasuring my favorite stationery for a long time.

Continuous state 'shite imasu'.

1

便箋の質によって、ペンの滑りが全然違います。

Depending on the quality of the stationery, the pen's glide is completely different.

Structure 'ni yotte' meaning 'depending on'.

2

彼女は季節に合わせた便箋を選ぶのが上手だ。

She is good at choosing stationery that matches the season.

Nominalized verb 'erabu no' as a subject.

3

便箋が余っていたら、一枚貸してくれませんか。

If you have some stationery left over, could you lend me a sheet?

Conditional 'tara' and polite request 'kuremasen ka'.

4

正式な謝罪には、無地の便箋を用いるべきです。

For a formal apology, you should use plain stationery.

Auxiliary verb 'beki' for obligation/advice.

5

便箋のデザインが、送る相手の印象を左右することもあります。

The design of the stationery can sometimes influence the recipient's impression.

Verb 'sayuu suru' (to influence) as a predicate.

6

この便箋セットは、贈り物としても人気があります。

This stationery set is also popular as a gift.

Structure 'A to shite' (as A).

7

便箋を綴じている糊が剥がれやすくなっている。

The glue binding the stationery pad is becoming easy to peel off.

Compound verb 'hagare-yasuku natte iru'.

8

万年筆で書くなら、この厚手の便箋が最適です。

If you're writing with a fountain pen, this thick stationery is ideal.

Conditional 'nara' for providing a recommendation.

1

便箋の余白の取り方にも、書き手の教養が表れるものです。

The way margins are handled on stationery also reveals the writer's refinement.

Structure 'mono desu' for general truths.

2

デジタル化が進む現代こそ、便箋に綴る言葉の重みが増しています。

In today's increasingly digital world, the weight of words written on stationery is increasing.

Emphasis particle 'koso'.

3

その便箋には、微かに香水の香りが染み付いていた。

The stationery was faintly permeated with the scent of perfume.

Verb 'shimitsuite ita' (was permeated).

4

便箋の罫線が乱れているのは、彼の動揺の表れだろうか。

Is the fact that the writing on the stationery is messy a sign of his agitation?

Conjecture 'darou ka'.

5

特注の便箋を作るほど、彼は手紙という文化を愛好している。

He loves the culture of letter-writing so much that he even makes custom stationery.

Structure 'hodo' for degree/extent.

6

便箋の質感から、送り主の並々ならぬこだわりが伝わってくる。

The sender's extraordinary attention to detail is evident from the texture of the stationery.

Compound adjective 'naminami-naranu' (extraordinary).

7

古びた便箋には、今は亡き祖父の力強い筆致が残っていた。

On the old stationery, my late grandfather's strong brushwork remained.

Adjective 'ima wa naki' (late/deceased).

8

便箋を広げる瞬間の高揚感は、メールでは決して味わえない。

The excitement of unfolding stationery is something you can never experience with an email.

Adverb 'kesshite' with a negative verb.

1

便箋の抄造過程における僅かな差異が、墨の乗り具合を決定づける。

Slight differences in the papermaking process of the stationery determine how well the ink sits.

Technical term 'shouzou' (papermaking).

2

彼は、便箋という静謐な空間に自らの魂を投影しているかのようだった。

It was as if he were projecting his own soul onto the serene space of the stationery.

Structure 'ka no you datta' (as if).

3

便箋の白さは、沈黙よりも雄弁に語りかけてくることがある。

The whiteness of stationery can sometimes speak more eloquently than silence.

Comparative 'yori mo' with adverb 'yuuben ni'.

4

文豪たちの書簡集を紐解くと、彼らが便箋の選定にいかに腐心したかが窺える。

Reading through the collected letters of great writers reveals how much effort they put into selecting their stationery.

Verb 'fushin suru' (to take great pains).

5

便箋という物理的制約が、かえって表現の深みを引き出している。

The physical constraints of stationery actually bring out a depth of expression.

Adverb 'kaette' (on the contrary).

6

季節の移ろいを便箋の意匠に託すという、日本特有の美意識がそこにはある。

There lies a uniquely Japanese aesthetic of entrusting the changing seasons to the design of the stationery.

Structure 'A to iu B' (the B called A).

7

便箋に落とされた一滴の涙が、言葉以上に真実を物語っていた。

A single tear dropped on the stationery told the truth more than words ever could.

Verb 'monogatatte ita' (was telling/narrating).

8

便箋の伝統を次世代に継承すべく、老舗の紙店は模索を続けている。

To pass down the tradition of stationery to the next generation, long-established paper shops continue to search for ways.

Structure 'subeku' (in order to/for the purpose of).

محتوای مرتبط

واژه‌های بیشتر communication

について

A2

یک حرف اضافه ژاپنی به معنای 'درباره' یا 'در مورد'.

宛先

B1

آدرس یا نام گیرنده ای که نامه یا ایمیل به او ارسال می شود.

番地

A2

شماره پلاک یا شماره قطعه زمین در آدرس ژاپنی. 'شماره پلاک (banchi) را وارد کنید.'

賛同

B1

تأیید، حمایت یا موافقت با یک ایده. اغلب شامل حمایت فعال است. سیاستمداران برای سیاست های خود به دنبال تأیید (賛同) هستند. شرکت ها می توانند تأیید (賛同) خود را به استراتژی های جدید بدهند.

~も

A2

حرف اضافه 'mo' به معنای 'هم' یا 'همچنین' است. این حرف جایگزین 'wa'، 'ga' و 'o' می‌شود.

〜そして

A1

کلمه‌ای که برای اتصال دو جمله یا ایده استفاده می‌شود و به معنای 'و' یا 'سپس' است.

〜や

A2

حرفی که برای فهرست کردن مثال‌ها (الف، ب و غیره) استفاده می‌شود. این نشان می‌دهد که فهرست کامل نیست.

たり

A2

حرفی که برای فهرست کردن نمونه‌هایی از افعال یا حالت‌ها استفاده می‌شود، به معنای 'انجام کارهایی مثل X و Y'.

お知らせ

B1

اطلاعیه یا خبر. برای اطلاع‌رسانی رسمی به دیگران استفاده می‌شود.

答え

A2

چیزی که در واکنش به یک سوال یا بیانیه گفته، نوشته یا انجام می‌شود.

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